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Primary page content. Award-winning film producer and executive, Tessa Ross, was given an honorary fellowship from 51³Ô¹ÏÍøºÚÁÏ in 2016. Born in London in 1961, Tessa attended Westminster School then Somerville College, Oxford, where she read Oriental
Events and exhibitions open to the public organised by 51³Ô¹ÏÍøºÚÁÏ Library.
Learn more about undergraduate Community Studies degrees at 51³Ô¹ÏÍøºÚÁÏ. 51³Ô¹ÏÍøºÚÁÏ is based on a single-site campus in New Cross, South East London.
The Photography Art Practice Area provides guidance and support for every level of photographic ability throughout the photographic process.
Methods Lab Projects. In this section. Article. Doing digital research requires students to keep themselves, respondents and data safe. This is becoming increasingly critical and complicated. Skills asn well as devices need regular updating. In
2001. Article. The full-text of MAKE magazine articles is available online to 51³Ô¹ÏÍøºÚÁÏ staff and students to view and download in HTML and pdf format. Access: Off campus access with campus username and password. You can also find the links to
2000. Article. 90 (Dec/Jan/Feb 00/2001) Gertrud Sandqvist on the work of Marijke van Warmerdam, Kirsty Allison and Tahani Nadim examine the musical legacy of the riot grrls, Claire Bishop interviews Barbara Kruger, Caroline Wooley reflects on
1999. Article. 86 (Dec/Jan/Feb 99/2000) Geographies, Localisms and Nationalisms Lisa Panting travels through Lithuania, Latvia and Estonia, Lorna Waite writes from Scotland, and two features look at women's art in Poland. Caryn Faure Walker
1998. Article. Description. Image. 82 (Dec/Jan/Feb 98/99) A Beast of an Issue Women working with the beast and related imagery. Clare Manchester talks to Margarita Gluzberg on monsters, aliens and wigs. Kitty Hauser on taxidermy and contemporary
1997. Article. 78 (Dec/Jan/Feb 97/8) Cyberspace and Utopia Nicole Matthews surfs the internet, Helen Sloan examines new contexts, language and electronic media. Catherine Elwes on Rose Finn-Kelcey, Pamela Gerrish Nunn on curating Pre-RaphaeliteWomen