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Please see below for the most recent publications from staff members of the Unit. If you would like to see more, please .

Redgate, Roger. 2023. Duo Galeano/Javaid | Roger Redgate: TAG (2009). [Audio]

Tan, Chooc Ly. 2022. DÉCALÉ VII: Décalé x Chinabot. In: "Décalé x Chinabot", The Yard Theatre, London, United Kingdom, 25 November 2022. [Show/Exhibition]

Redgate, Roger. 2022. 'Improvisation as Creative Impulse for Composition'. In: Principles of Music Composing XXI: Phenomenon of Creativity. Lithuanian Academy of Muisc and Theatre, Lithuania 17-19 November 2022. [Conference or Workshop Item]

Redgate, Roger. 2022. 'Disseminative Notation and the Impurities of Performance.'. In: The Performer-Composer in the second half of the 20th century. Orpheus Institute, Ghent, Belgium 10-12 October 2022. [Conference or Workshop Item]

Redgate, Roger. 2022. Caprices I-VII for solo violin. [Composition]

Redgate, Roger. 2021. Radix, Matrix. [Composition]

Redgate, Roger. 2020. 'Complexity: The Precise Articulation of the Imprecise'. In: Imperfection as an Aesthetic Idea in Music. Institute for Music Aesthetics and the Artistic Research Doctoral School of the University for Music and Performing Arts Graz, Austria, Austria 19 – 21 November 2020. [Conference or Workshop Item]

Zagorac, Slavko and Zbyszynski, Michael. 2020. 'Networked Comprovisation Stratagies with ZScore'. In: Proceedings of the International Conference on Technologies for Music Notation and Representation — TENOR'20. Hochschule für Musik und Theater, Hamburg, Germany. [Conference or Workshop Item]

Redgate, Roger. 2020. Roger Redgate Lecture Presentation: Культурный Центр ЗИЛ & Gnesin Contemporary Music Week. [Audio]

Redgate, Roger. 2020. Where Are We Going? Teleological Structures in New Music. Principles of Music Composing, 20, pp. 23-34. ISSN 2351-5155 [Article]

Redgate, Roger. 2019. The ontology of the work: exploring the creative discourse. Contemporary Musicology, 2019-2(2), pp. 43-59. ISSN 2597-9731 [Article]

Exarchos, Dimitris. 2019. The Berlin sketches and Xenakis’s middle period style. In: Alfia Nakipbekova, ed. Exploring Xenakis: Performance, Practice, Philosophy. Wilmington, Delaware: Vernon Press, pp. 21-36. ISBN 9781622733231 [Book Section]

Exarchos, Dimitris. 2019. Music's Immanent Future: The Deleuzian Turn in Music Studies. Edited by Sally Macarthur, Judy Lochhead, Jennifer Shaw. Abingdon, Oxon, Eng.: Routledge, 2016. (Review). Notes, 75(3), pp. 529-532. ISSN 0027-4380 [Article]

Exarchos, Dimitris. 2019. 'Scelsi, Sense, and the Musical Matter'. In: Music and Materialisms: A Free One-day Conference. Visconti Studio, Kingston University, United Kingdom 23rd February 2019. [Conference or Workshop Item]

Exarchos, Dimitris. 2018. 'On the Work of Modern Composition'. In: Composing Music Today. Lisbon, Portugal 21-23 November 2018. [Conference or Workshop Item]

Peyton Jones, Jeremy. 2018. Heart of Darkness. In: "Heart of Darkness", Teatro Sperimantale, Ancona, Italy, 10/11/18 to 11/5/19. [Performance]

Peyton Jones, Jeremy. 2018. Heart of Darkness. [Composition]

Exarchos, Dimitris. 2018. 'On the Work of Analysis and Composition'. In: ENIM 2018: 8th Conference On Musical Research. Porto, Portugal 8-10 November 2018. [Conference or Workshop Item]

Exarchos, Dimitris. 2018. The Skin of Spectral Time in Grisey's Le Noir de l’Étoile. Twentieth-Century Music, 15(1), ISSN 1478-5722 [Article]

Heyde, Neil; Redgate, Christopher; Redgate, Roger and Wright, Matthew. 2018. What is it like to be an improviser? In: Eric F. Clarke and Mark Doffman, eds. Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Oxford: Oxford University Press, pp. 314-316. ISBN 9780199355914 [Book Section]