Bell, Marcus. 2025. Review: Ocean Hester Stefan Chillingworth, Blood Show, Battersea Arts Centre, 12-23 November 2024: Transition, violence, and the choreographic. Volupt茅: Interdisciplinary Journal of Decadence Studies, 7(2), pp. 137-142. ISSN 2515-0073
Bell, Marcus. 2025. 鈥淢ay amnesia never kiss us on the mouth鈥�: An Aesthetics of Fracture. Contemporary Theatre Review, 35(2-3), pp. 299-302. ISSN 1048-6801
Bell, Marcus. 2024. "I鈥檝e been looking for things that last鈥�. Contemporary Theatre Review: Interventions,
Bell, Marcus. 2024. 鈥楧ance against the void鈥�: Derek Jarman, dance, queer classical receptions. Classical Receptions Journal, 16(2), pp. 178-193. ISSN 1759-5134
Bell, Marcus. 2022. Bell, M. (2022) Review of Gianvittorio-Ungar, L. and K. Schlapbach (eds.) Choreonarratives: dancing stories in Greek and Roman antiquity and beyond. Bryn Mawr Classical Review, ISSN 1055-7660
Bell, Marcus. 2021. INFERNO: Catastrophically Queer. Ag么n. Revue des arts de la sc猫ne, 9, ISSN 1961-8581
Book Section
Bell, Marcus. 2026. Dance, Tragedy and the Dying Act: Pina Bausch鈥檚 "Rite of Spring". In: C茅cile Dudouyt; Sofia Frade and Justine McConnell, eds. Reshaping Reception: Archiving and Performing Antiquity.
Bell, Marcus. 2025. Cruel Futurity in Euripides鈥� "Bacchae": Dance, Impasse, Ecstasy. In: Connie Bloomfield-Gadelha and Edith Hall, eds. Time, Tense, and Genre in Ancient Greek Literature. Oxford: Oxford University Press, pp. 284-301. ISBN 9780192858498
Bell, Marcus. 2025. Queer Ruins at the End of the World: Gis猫le Vienne鈥檚 "Crowd". In: Ezra Baudou and Anne-Violaine Houcke, eds. Ruin and Ruination: Staging Antiquities in Contemporary Cinema and Theatre. Oxford: Oxford University Press.
Bell, Marcus. 2023. Encountering Absence: Queer Traces, Ghosts, and Performance Otherwise. In: Ella Haselswerdt; Sara H. Lindheim and Kirk Ormand, eds. The Routledge Handbook of Classics and Queer Theory. Abingdon: Routledge, pp. 138-152. ISBN 9781032026794